![\"\"](\"https:\/\/dancetalk.co.il\/wp-content\/uploads\/2021\/08\/emanuel-gat-premiers-SUZANNE-444-photo-by-emanuel-gat-2021-1024x683.jpg\")
<\/figure>\n\n\n\nIt was a pleasure to see how the\ncompany's dancers felt so comfortable performing Gat's movement perceptions which are based on\nintelligence, humanitarian approach and free spirited artistic building blocks.\n<\/p>\n\n\n\n
The cast includes eight dancers, each\nwith specific attributes and varied dance background. They gave a decent fight\nfor Gat's own company with its personal diversity, sense of fluency, and\ncaptivating mixture of their elegance and nonchalant attitude. <\/p>\n\n\n\n Gat often chose revered classical\nmusic to accompany his dance works, yet, his Salsa based miniature is well remembered\ntoo. For Suzanne<\/em> he remixed fragments from Nina Simon's live recorded performance\nat the Philharmonic Hall in N.Y 1969, the year he was born. Her deep warm voice\nis mesmerizing, and sometimes overpowering. Her singular renditions to timeless\nhits such as 'Black is the color of my true love's hair', Leonard Cohen's\n'Suzanne' or bites from 'Hair', I believe, impose a measure of friction between powerful emotions and moods of the\nmusic, which at times fights with the movement for attention. At the same time,\nthe dance kaleidoscopic structure, elegant rhythms or emotional landscapes\ncomplied by different rules. <\/p>\n\n\n\n Even so, 'Suzanne<\/em>' will be\nremembered for the refined achievement of Inbal dancers, their execution of\ncomplex timing cues needed for flawless smooth transitions from endless\ndisintegrating structures on the stage' space and unexpected regrouping\ncompositions. Their power as a group is their intimacy and ability to function\nas a team, never too busy with what they have to do at the moment to notice\nwhat each one is doing around them. It seems that Gat saw them as well and\nappreciated who they are and made for them a tailored made dance which caused them\nto shine under the stage' lights. <\/p>\n","protected":false},"excerpt":{"rendered":" .photo- Emmanuel Gat Tel Aviv Dance Festival opened on a high note with Suzanne, commissioned by Inbal Dance Company from Emmanuel Gat, world renowned Israeli choreographer, residing in southern France for the past fifteen years. Gat has there a successful dance company, yet this is the first time he agreed to create an original work…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[907,908,909,910,47,173,911],"_links":{"self":[{"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/posts\/3405"}],"collection":[{"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3405"}],"version-history":[{"count":1,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/posts\/3405\/revisions"}],"predecessor-version":[{"id":3408,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/posts\/3405\/revisions\/3408"}],"wp:attachment":[{"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/dancetalk.co.il\/wp-content\/uploads\/2021\/08\/Inbal-Dance-Theater-by-Emanuel-Gat-1122-Suzanna.-2021-1024x647.jpg\")
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