{"id":3363,"date":"2021-05-26T07:42:46","date_gmt":"2021-05-26T04:42:46","guid":{"rendered":"https:\/\/dancetalk.co.il\/?p=3363"},"modified":"2021-05-26T07:42:46","modified_gmt":"2021-05-26T04:42:46","slug":"lior-tavori-and-over-again-mars-suzanne-dellal-may-23","status":"publish","type":"post","link":"https:\/\/dancetalk.co.il\/?p=3363","title":{"rendered":"lior Tavori -And over again, Mars. Suzanne Dellal, May 23"},"content":{"rendered":"\n

'Two creations were presented side by side, each with its own artistic climate, yet both offered layered works, representing Tavori's \u00a0thinking process, which slowly reveals itself. <\/p>\n\n\n\n

The\nfirst, And Over Again, is a duet, danced by Shahar Brener and Noam Segal, both\ndressed in mundane clothes, buried under a pile of what seems to be red and\nblack boxing gloves while an old kitsch song carries a message of peace that\nmay arrive tomorrow. Or the next day\u2026  <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

 What a chilling moment when current reality\nmeets head on a stale yet popular military-march tune of yesteryears.<\/p>\n\n\n\n

The\nduet itself steers away from national issues and concentrates on more intimate\nissues of two torn souls- most likely post traumatic- searching for elusive\nmoments of human contact, well illustrated by sensitive physical manifestations\ninterrupted by   moving the limbs in staccato, on a verge of a\nbreakdown. <\/p>\n\n\n\n

Both\ndancers are impressive but the female role seems to carry more weight. The work\nwhich is well composed follows a distinct artistic path impressive in its details,\nbeing carried with touching modesty.   <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

MARS\nwhich follows, starts as a rather simplistic male unit of four vital male\ndancers flexing their muscles, showing off some jumps in a athletic style.  When they move in tight formations they tend\nto favor symmetrical compositions. Yet soon, the more they play around  together, their individuality comes across quite\nclearly. The scent of self awareness with a faint flavor of parody  spreads, mixed with dry humor in small\nmeasures. <\/p>\n\n\n\n

As\ntime passes, more and more sophisticated nuances reveal themselves and the\nfiber which holds the core of the artistic structure is being exposed slowly\nand reveals bright inventive gestures and compositions.  <\/p>\n\n\n\n

The\nunequivocal high point of the evening was an unexpected rendition of The Dying\nSwan,  an iconic short classical ballet\nof the Romantic genera, choreographed by M. Fokin for the legendary Anna\nPavlova, which culminated the romantic notion of spiritual, unattainable\nfemininity. Yet here, one of the dancers gives a farfetched rendition, crude\nand as far away from the sublime, still challenging solo. Eaven so, some moves\nand gestures by the strong dancer fleetingly refer to the delicate original\ncreation. One may take it as a satire, as a disrespectful stance, but although\nit definitely a tongue  in the cheek  scene, it was totally within restrained humor\nof Tavori's  lexicon. <\/p>\n\n\n\n

The\nfinale which closed the evening was a twirling storm of powerful moving circle\nby the quartet which swept the audience and gave the dancers justified standing\novation.  <\/p>\n","protected":false},"excerpt":{"rendered":"

'Two creations were presented side by side, each with its own artistic climate, yet both offered layered works, representing Tavori's \u00a0thinking process, which slowly reveals itself. The first, And Over Again, is a duet, danced by Shahar Brener and Noam Segal, both dressed in mundane clothes, buried under a pile of what seems to be…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[836],"_links":{"self":[{"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/posts\/3363"}],"collection":[{"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3363"}],"version-history":[{"count":1,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/posts\/3363\/revisions"}],"predecessor-version":[{"id":3366,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=\/wp\/v2\/posts\/3363\/revisions\/3366"}],"wp:attachment":[{"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dancetalk.co.il\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}